- How to quickly dial in 2, 3 and 4 part harmonies without a MIDI keyboard
- The vocal I am trying to correct jumps to unwanted notes. What can I do?
- Using VoiceWorks / VoiceLive to pitch correct the lead vocal
- What are the differences between the VoiceWorks and the VoiceOne?
- How many different songs can I store?
- How can the VoiceWorks trigger harmony without using MIDI?
- Can I control my lead vocal pitch directly via MIDI?
- Using the Harmony-G (XT) / VoiceLive2 / VoiceLive Touch with two guitars
- Which preset to use as starting point for user presets
- Setting up VoiceLive Touch to work with Garageband
- How to repitch a melodyline, to make it sound more natural
- How can I correct a melody that is slightly but consistently out of tune ?
- Where can I find the VoiceOne Sysex documentation?
- What type of footswitches can I use for my VoicePrism / VoicePrismPlus?
- How to control the VoiceOne with the MIDIMAN Oxygen 8
- VoiceWorks Plus MIDI sys-ex specification
- How to restore factory presets on VoicePrism / VoicePrismPlus
- Pitch Shifting not working with VoiceOne
- Why is Pitch Correction not working?
- VoiceOne: What's special about the way it does doubling
- Musically Speaking reviews the MP-75
It is clear that every part within the mic is based around quality. This doesn’t just mean that the mic can withstand the torture of live performance, it also means that the sound quality that you get is absolutely amazing. I tested this mic against other mics at my studio such as a Shure SM-58 and the Audio Technica MB 3000L and the difference was very obvious and for the most part extremely positive.