• First steps

TECHNICAL SPECIFICATIONS

Analog Inputs and Outputs
Connectors: XLR (2 in, 2 out)
Input Impedance: 11/4 kohm (Balanced/unbalanced)
Output Impedance: 40/20 ohm (Balanced/unbalanced)
Max Input Level: +15 to +30 dBu with analog domain scaling
Max Output Level: +15 to +24 dBu with analog domain scaling
Dynamic Range: > 110 dB (unweighted), BW: 20-20kHz, note 1
THD: < -100 dB @ BW: 20-20kHz
Frequency Response, +0/-0.1 dB: 12 Hz - 20 kHz
Crosstalk: < -110 dB, 20 Hz to 20 kHz
AD and DA Conversion: 24 bit (Dual bit delta sigma sampling at 6.1 MHz)
AD and DA + Processing Delay Total: 1.54 ms
Digital Inputs and Outputs
Connectors: DB25 (2 in, 8 out balanced proprietary cable)
Format: AES/EBU or S/PDIF selectable
DSP
Internal sample rate: 44.1, 48, 88.2, 96 kHz
Internal processing: 24 bit
Processing Algorithms: Hybrid Shifting™, Flextime™, VoiceModeling™, 4-part harmony, 4-band EQ (2), Compressor (2), De-esser (2), Reverb, Delay, µMod, Transducer, Multi-path mixer.
Control Interface
Ethernet: 10/100 Mbits/s, Base-T
(RJ45 XLR-housed EtherCon connector)
Ethernet passive HUB for network: 10/100 Mbits/s, Base-T
(RJ45 XLR-housed EtherCon connector)
MIDI: In/Out (5-pin DIN connector)
General
Display: Color TFT, QVGA 320x240 pixels
450 cd/m2 Luminance
Finish: Anodized aluminum face and side plates Plated and painted steel chassis
Dimensions: 19" x 3.50" x 11" (483mm x 89mm x 274mm)
Weight: 11.95 lbs. (5.4 kg.)
Mains voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power consumption: <45W
EMC Complies with: EN 55103-1 and EN 55103-2 FCC part 15, Class B
2, Class B
Safety Certified to: IEC 60065, EN 60065, UL 6500 and CSA E65 (CSA File#LR108093)
Operating/Storage
Temperature: 0° C to 50° C ( 32° F to 122° F) / -30° C to 70° C (-22° F to 167° F)
Humidity: Max. 90% non-condensing
Warranty Parts and Labor: 1 year

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  • Reviews
Resolution Magazine (UK)
September 2005

"(...) I'm a great fan of dedicated units, and I loved this box, which to my mind is certainly the best of its type currently available (...) If you do a lot of vocal work in post or preproduction, then I can see the VoicePro making a lot of sense financially and practically."
Audio Media (UK)
September 2005

"There's a lot to like in the VoicePro, and the verdict has to be positive (...) There really isn't anything else like it available elsewhere,and if you spend a lot of time polisihing or abusing vocals you'll definitely want one."
Mix, June 2006
"...the quality, power, musicality and sheer variety of algorithms under the hood justify the price. If you're looking for a powerhouse processor that will transform vocals in dozens of practical applications, VoicePro delivers."

Read the full review